![]() The focus on the “waste” object is a way to identify and integrate the invisible in our orders of being. ![]() Nevertheless, they find themselves in compulsion, fear, anxiety. The homeless, humble or wealthy body will not have the same relationship with overconsumption. This survivalist aesthetic allows the artist to comment on the overconsumption of society in all its affected sectors, regardless of the social status of individuals. From the epidermis protecting the territory dedicated to the hunt, to the heart of his subcutaneous tissue, in his dance the sculptor-plastic-surgeon departs in the quest of matter with the aim to fulfill and preserve the existential void of body, soul, and spirit. This gesture shows man’s insatiability but also his permeability by the natures he wants to tame at all costs. In the same way as hunter-gatherer would begin on the street to be extinguished in the gallery or museum like a lurch into intimacy. Departing from the exterior to collect and digest new things in its interior. ![]() ![]() Hunting – which is the original, primal means to acquire ownership – is the action to research these, pursue them, and seize power by an operating force, trickery, skill, or technology. The performance hunter-gatherer, from its title to its form, sounds like an alarm on the ‘nature’ of muntu his gaze confronted with the state of curiosity, which draws him to hunt, conquer, possess, control and appropriate things which appear to him healthy and therefore useful among the unseen. ![]()
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